Usha

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Author:Laxman Burdak, IFS (R)

Usha (उषा) was a daughter of the king Banasura and wife of Aniruddha, grandson of Lord Krishna.[1] Usha's son Vajra is ancestor of Bharatpur Sinsinwar Jat rulers.

Founder of Okha

Some historians believe that Okha city in Gujrat gets name from Usha , the daughter of Banasura who married with Aniruddha, grandson of Krishna.[2]

Usha in love with Aniruddha

Banasura had a beautiful daughter named Usha. When Usha became young, number of proposals came for her marriage but Banasura accepted none. Wary, that Usha might fall in love with men other than his choice, he kept Usha in a formidable fortress called Agnigarh with her friends. Usha one day saw a young man in her dream and fell in love with him. Chitralekha was a friend of Usha and daughter of Kumbhada, minister of Banasura. She was a talented artist who helped Usha to identify the young man seen in the dream of Usha by painting the portrait. He was Aniruddha, the grandson of Lord Krishna. Chitralekha through supernatural powers abducted Aniruddha from the palace of Krishna and brought him to Usha. Usha and Aniruddha secretly married and lived together as husband and wife in the Agnigarh.

Story of Usha and Aniruddha

A Daitya princess named Usha, daughter of Banasura, fell in love with Aniruddha and had him brought by magic influence to her apartments in her father's city of Sonitpur in Assam. On discovering that Aniruddha had been carried away, Krishna, Balarama, and Pradyumna went to rescue him. Bansura was a great devotee of the god Shiva and had 1000 arms, as a result of which no one had ever been willing to fight him. Blinded by his pride, he asked Shiva to give him a chance to fight with someone as strong as himself. Shiva therefore cursed him to defeat in war by Krishna.

Only after some months Krishna came to know where his grandson was and launched an attack on Banasura with a big army. Thus a great battle was fought.

When the army laid siege to his city, Banasura staged a fierce counter-attack. At this point, Lord Shiva joined the battle against Krishna because he had promised protection to Banasura. The fight was intense in all directions, and Siva (also known as Mahesvara) caused a mighty fever with three heads and three legs (Mahesvari jvara). But Krishna generated a counter-fever. Ultimately Krishna’s forces were close to victory and Krishna himself was vigorously cutting off the myriad arms of Banasura. Siva again intervened because of his promise to Banasura.

Krishna, however, assured Siva that he had no intention of killing Banasura, but would leave him with only four arms so that his power would be limited. However, in honour of the demon’s boon from Siva, Krishna promised that Banasura would have nothing to fear from anybody in the future.

Gratefully, Banasura prostrated before Krishna and then had Aniruddha and his bride, Usha, brought to Krishna in a regal chariot. All then returned to Dvarka, where Krishna’s victory in the combat with Siva was celebrated with festivity.

Bana was defeated, but his life was spared at the intercession of Shiva, and Aniruddha was carried home to Dwaraka with Usha as his wife. He is also called Jhashanka and Ushapati. He had a son named Vajra, whose lineage is traced to the royal family of Bharatpur.

War of Banasura with Krishna

When Banasur came to know about it, He arrested Aniruddha and had him tied with snakes. When Krishna knew it, he came with a huge army and attacked Banasura. This was Krishna's second visit to Assam, the first being when He came to abduct Rukmini, his wife. There was a severe battle. Banasura was a follower of Shiva. In this war Rudra fought with Krishna, Virabhadra with Pradyumna, Kopakarna and Kumbhada with Balarama, Banasur's son with Samba and nandishwar with Garuda. Shiva helped Banasura by spreading bacteria of fever in the army of Krishna, which made his army unable to fight. Krishna in turn created anti-bacteria to kill bacteria spread by Shiva. All soldiers of Krishna’s army got healed up and became ready to fight. The war continued for long without any conclusion. Krishna then approached Shiva and reminded him of his earlier commitment. Shiva advised Krishna to use Jambhastra on him which would lead Shiva to sleep and Krishna could defeat Banasura. This way Banasura was defeated. When Krishna defeated Siva in battle, he spared Bana's life on Shiva's request but cut off all but four of his arms. Shiva got compromised both. Krishna excused Bana. He married Usha with Aniruddha and brought them to dwaraka.

Banasura moved to Himalayas and devoted his life in worship of Shiva.

Banasura probably founded his capital at Sonitpur after this war.

Genealogy of Usha's son Vajra

Hukum Singh Panwar[3] has given the ancestry of Bharatpur rulers starting from 1. Yadu. Shini is at S.No. 38, Krishna at S.No. 43 and Vajra at S.No. 46[4]. From Naba at S.No. 47 onward we follow James Tod[5] who has based on records of Brahman Sukhdharma of Mathura.

1. Yadu → → → → 34. Andhaka → 35. Bhajmana → 36. Viduratha → 37. Shura → 38. Shini → 39. Bhoja → 40. Hardika → 41. Devamidha → 42. Vasudeva → 43. Krishna → 44. Pradyumna → 45. Aniruddha → 46. Vajra

47. Naba → 48. Prithibahu → 49. Bahubal (w.Kamlavati Puar) → 50. Bahu → 51. Subahu → 52. Rijh → 53. Raja Gaj (founded Ghazni in Yudhishthira 3008= BC 93) → 54. Salivahana (S.72 = AD 16) → 55. Raja Baland

Birth of Vajra

From Shri Krishna and his queen Rukmini was born the great warrior Pradyumna, one of Krishna's prominent sons, who married the daughter of his maternal uncle, Rukmi, Rukmavati. They gave birth to mighty Aniruddha. Aniruddha married Usha, the daughter of Banasura and from her was born Vajra, who was invincible in wars and would remain among the few survivors of the Yadus' battle.

Jat History

Hukum Singh Panwar (Pauria)[6] mentions Chitralekha with reference to Bharatpur Jat rulers....The literary evidence, however, supports the presence of the Yadava, Andhaka-Vrsnis in the Mathura territory . But, as our investigations have a ready indicated, the Satvata-Andhaka-Vrisnis were not Yadava, nor the archaeological (BRW) findings, nor numismatic evidence, nor even the inscriptional testimony corroborate their occupation of the region. No doubt, sporadic evidence of BRW commonly associated with the Yadavas, (800 B.C. to 300 B.C.) as available from Bayana and Bharatpur 7 area but we know that the Yadavas had, for fear of Jarasandha, fled the area for good and lived in Dwarka where they were destroyed by their internecine massacres. The PGW genrally associated with the Pauravas and the Aiksvakas (Surasenas-descendents of Shatrughana) was succeeded by BRW in the region.

The BRW may as much be attributed to the Matsyas8 who dominated the area from the Rigvedic times, as it is ascribed to the occasional advances9 of the Yadavas towards north from their permanent home in South-Western India. Although Dr. Arun Kumar9a


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rejects completely the Aryans and the Dravidians as the authors of the BRW, yet the opinion of the archaeologists9b weigh in favour of the latter. But they were not Yadavas.

The contiguous region of Mathura was held by the Surasenas by the time of Varahamihira. They were subdued by the Guptas (Dharana Jats) and Harshavardhana, (the Virka Jat). The triangular territory, including Bayana and Bharatpur, formed by Agra, Delhi and Jaipur, was swept, as the Inscriptional and nunusmatic evidence show, by the Arjunayanas, the Yaudheyas, Uddhehikas and the Salvas10, the republican tribes, whose descendents11 are now unmistakably found in the Jats and Rajputs of the region. From 8th century A.D. to the 12th century A.D., the Tomar12 Jats held sway over Delhi, Mathura, Bayana, Gwalior and Malwa. Of course, there are some pockets of the Ahirs, known as Ahirwal or Ahirvati, but they are the descendents of the Abhiras who cannot be sensu stricto called Yadava. They got their genealogies confused with the Yadavas13 and are not, in fact, Yadava.

Notwithstanding all this, the most unfortunate thing is that the Charans and Bhats never mentioned any of these tribes and their ethnic names in their accounts. Instead, however, they never exhausted their ink and efforts to implant the Yadavas in the region under review with one pretext or the other. Over and above the spuriousness of the genealogy under review, we also come across a number of glaring instances of distortion of historical facts, perpetrated and perpetuated, at the instance of vested interests, by the legendary minstrels and encomiasts of the medieval chiefs of the region not only render them all still more unworthy of trust but also' vitiated history to mislead the successive generations of the teachers and students of the subject.

As for instance, Bayana was made the scene of the marriage of Anirudha, the grandson of Krishna. But we know it for certain from the Visnu Purana14 that "Krishna demanded in marriage for his grandson, the gallant prince Anirudha, the grand-daughter of Rukmin; and although the latter was inimical to Krishna, he betrothed the maiden (who was his son's daughter) to the son of his own daughter (her cousin Anirudha)". The cross-cousin marriage, undoubtedly, reflects a southerly custom. "Upon the occasion of the nuptials Rama (Balrama) and other Yadavas accompanied Krishna to Bhojakata, the city of Rukmin, where he solemnised the wedding. Krishna, taking with


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him the newly wedded Anirudha and the Yadava tribe, returned to Dwarka"15. In addition to this, the Purana, describes another marriage of Anirudha with Usha, daughter of Bana, son of Bali of the eastern Anavas 16. But it is astonishing to note that this marriage was celebrated through the magic power of her companion - princess friend, Chitralekha, the daughter of Kubhand, the minister of Bana, only in the dream-land of mythology17.


Further, the extremely surprising fact is that the bhats ignored the real marriage of Anirudha, who is represented in the 45th generation of the alleged Yadava genealogy concocted for the Bharatpur dynasty, and planted the scene of his mythological wedding with Usha, daughter of Bana, at Bayana. The town is said to have derived its name from Bana (Asura), which is a philological fallacy. Anirudha is made to have constructed a temple in memory of Usha, which is said to still exist there18. But we have evidence to show that the temple tale is also a fabrication. Actually the said temple was built by Chitralekha; the queen of Laxaman, a Pratihar ruler of Bayana in 956 A.D19. The scenario of the marriage of Anirudha, as hinted at by Wilson, was South-Western India20 and Bana, his mythological father-in-law, was shown as an Asura whereas - Rukmaratha his actual father-in-law, was substituted by Rukmin who is nowhere given in the genealogy of the rulers of Vidarbha21.

The Pauranics, in fact, mythologised history and their modern counterparts or disciples, the bhats, tried to "historicalize" those mythological legends, thus making the confusion of the myths more confounded. Cunningham has very aptly observed "that the ascription of a demon character or demoniacal attributes to certain historical individuals, or to certain probably really plain human personages whose memory is preserved in Indian traditions, or to certain ancient tribes of India, was simply a cunningly designed piece of malicious spite on the part of the old Brahman hierarchy, in order to stigmatise and cast odium upon certain individuals who denied or refused to recognise the self-assumed universal superiority and supremacy of the Brahman hierarchy ... and sought to damn and render odious the whole race, and even the very descendents of such persons for ever"22.


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The installation of Anirudha at Indraprastha after the fratricidal massacre of the Yadavas at Dwaraka, is another example of Brahmanical concoction, for we know that, besides the women, Vajra was the only male Vrishni member. the supposed Yadava who was escorted by Arjuna to Indraprastha where only he and not Anirudha, was established as chief of the remnant women (and children) of the Yadavas23. Even the correctness of the Vajra episode, as noted before, is questioned by C.V.Vaidya24. Vajra is said24a to have belonged to the Vrishnis, who were Varshneya Vaishyas24b. They are shown as a sub-section in the Yadava genealogies24c. There is, however, no unanimity among scholars whether Vajra was installed by Yudhishthira at Indraprastha or Mathura or Hastinapur25. Latest investigation indicate that Vajra was most probably used as "lectio difficilior" for Vajranabha Aiksvaka by the Puranakrt26. If this is correct, it means the authors of the Epic and the Puranas interpolated Vajranabha as merely Vajra in the Yadava genealogy in the manner in which Surasena, son of Shatrughana was represented as Sura in the Vrishni line. That Vajra is often called Vajranabha, all the more confirms our suspicion that the diminutive of the latter's name was exploited in the ancient literature.

In the interest of historical veracity we must learn to disregard such absurd fables. We have to "school our minds to forget and for ever to discard, with suspicion and contempt", the web of lies woven round fictitious persons in order, arbitrarily, to fabricate genealogies to please royal houses, as was obviously the case of the one connected with the Bharatpur dynasty. To us it is clear that these concoctions and inventions concerning the origin of this dynasty are totally garbled and perverted, by the bardic hierarchy of the medieval days, for a consideration. For example, there is one Sindhupal, the alleged Jadon Rajput, represented at 98th step in the Yadava genealogy constructed for and associated with Bharatpur rulers. He is said to have come from Orissa and to have-re-established Yadava rule in the region, popularly known as Saurasena or Braja, in the 7th century of the vikrami era27. The historians generally quote the Gazetteer of Rajputana which depended in turn on the manuscript of the bhats who are not considered genuine sources of information on the origin commonly ascribed to the various tribes and rulers of Kshatriya families of medieval India.


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Notes

7. Ghurye, G.S.; Vedic Ind., pp. 380f. 385, 398f.

8. Ibid. Romila Thapar, "Puranic Lineages and Archac. Cultures" in Puratattva. No. 8, 1975-76, pp. 86-98.
9. Ibid.
9a. The Prow-historic BRW, A Plea for Neolithic Origin, India, Vol. xi, No. 1, Bombay, March, 1975, p. 22.
10. S.B. Chaudhuri, M.K Saran, K.K. Das Gupta, Bela Lahiri, KP. Jayaswal, M.R. Singh, S.M. Ali, etc. may please be referred to.
11. Discussed in chaps. VII & VIII of the book.
12. Cr. Reference no. 34 infra.
13. Upadhyaya, B.S.; Feeders of Ind. Cul., N. Delhi, 1973, p. 81; Wilson, H.H.; Eng. Trans. of Vishnu Purana, Punthi Pustak, Calcutta-4, 1961, p. 367, fn. 64.
14. Wilson, op.cit., P. 457.
15. Ibid., 458.
16. Ibid., pp.465-66.
17. Ibid., p. 466.
18. Shastri, Yoginder Pal; Jat Kshatriya Itihas, Kankhal, p. 130.
19. Singh, Ganga; op.cit., p. 22.
20. Wilson, op.cit., p. 467, fn. I; Wiltoro, As. Res. Vol.IX, p. 199; or in Assam (As. Res., Vol. XIV, p. 443).
21. Wilson, op.cit., p. 338-39; Pargiter, AIHT, p. 269; Cr. also Siddhantashastree, op.cit., p. 137-141.
22. Cunningham, Arch. Sur. Rep., Vol. VI, p. 63.
23. Wilson, op.cit., p. 480, fn. 13.
24. Vaidya, C.V.; Mahabharata (A Criticism). pp. 18-21,32,159.
24a. Pargiter, AIHT. p. 284 and fn. 7.

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24b. Manu, X, 23; Shafer, Ethnog. of Anc. Ind., p. 152.
24c. Sec Ref. No. 62 infra.
25. Ganga Singh installs him in Braj (op.cit., p. 25), some even say that he was made ruler of Mathura or of Hastinapur.
26. U.N. Sharma use Vajranabh instead of Vajra (Loc. cit.).
27. Sharma, Upendra Nath; Jaton Ka Navin Itihas, Mangal Prakashan, .rarpur, 1977, p. 57.

Usha in popular culture

The story of and Usha (as Okha in Gujarati) is depicted in the 18th century Gujarati Akhyana entitled Okhaharan by Premanand Bhatt.[7]

A 1901 Telugu language play titled Usha Parinayam written by Vedam Venkataraya Sastry was based on story of Usha.[8] The play was also taken as a Telugu film in 1961 by Kadaru Nagabhushanam under Rajarajeswari films.

Usha Kalyanam is a 1936 Tamil-language film directed by K. Subramaniam.

References

  1. Fables and Folk-tales of Assam. Firma KLM. 1998. ISBN 9788171020751.
  2. Dandi Swamy Shree Sadanand Saraswati:Divya Dwarka, 2013, p. 10:
  3. The Jats:Their Origin, Antiquity and Migrations/Appendices/Appendix No.1
  4. Yadu Vamsavali of Bharatpur given by Ganga Singh in his book 'Yadu Vamsa', Part 1, Bharatpur Rajvansa Ka Itihas (1637-1768), Bharatpur, 1967, pp. 19-21
  5. James Tod: Annals and Antiquities of Rajasthan, Volume II, Annals of Jaisalmer, p.196-201
  6. Hukum Singh Panwar: The Jats:Their Origin, Antiquity and Migrations/The origin of the Jat Sansanwal dynasry of Bharatpur,pp. 96-99
  7. Sen, Siba Pada (1988). Sources of the History of India. Institute of Historical Studies.
  8. Leiter, Samuel L. (2007). Encyclopedia of Asian Theatre: A-N. Greenwood Press. ISBN 978-0-313-33530-3.